Fray and Glory
byWhat counts as damage — and who decides what’s worth repairing? Asheville artist Nava Lubelski is posing these very questions in her mixed-media textile…
Asheville Art Museum
Native America: In Translation
byNative America: In Translation, the latest exhibition at the Asheville Art Museum, challenges the camera’s colonial gaze through the work of seven groundbreaking Indigenous…
Greetings From Asheville: Tourism and Transformation in the Postcard Age
byLong before inboxes and Instagram, Asheville sold itself in glossy four-by-sixes. Greetings From Asheville: Tourism and Transformation in the Postcard Age, running through May…
Iron and Ink: Prints from America’s Machine Age
byDuring a time when all eyes are on artificial intelligence, Iron and Ink: Prints from America’s Machine Age seems especially relevant. Now on display…
Coatlicue & Las Meninas: The Stanford Edition
byOpening this spring at the Asheville Art Museum, Pedro Lasch’s Coatlicue & Las Meninas: The Stanford Edition explores the intersection of European and pre-Columbian…
That’s Her Transfiguration
byFear can limit you. Alexander artist Chrys Corn Goodman knows this firsthand. Growing up in San Francisco, Goodman always wanted to be an artist….
Flora Symbolica: The Art of Flowers
bySince ancient times, we have used chamomile to soothe fevers, marigolds to dye fabrics, and lavender to calm the mind. Artists have also woven…
Current Events
byAsheville Art Museum exhibits work inspired by Hurricane Helene Forty trillion. That’s a conservative estimate of how many gallons of rain drenched the Southeast…
American Made: Paintings and Sculpture from the DeMell Jacobsen Collection
byIf you snoozed through art history in college and can’t recognize American Regionalism if Grant Wood’s dour couple smacked you in the face, here’s…
Ginny Ruffner: Reforestation of the Imagination
byMany people believe technology will one day obliterate all life on Earth. Seattle-based glass artist Ginny Ruffner isn’t necessarily one of those people. Organized…