Fray and Glory
byWhat counts as damage — and who decides what’s worth repairing? Asheville artist Nava Lubelski is posing these very questions in her mixed-media textile…
What counts as damage — and who decides what’s worth repairing? Asheville artist Nava Lubelski is posing these very questions in her mixed-media textile…
Native America: In Translation, the latest exhibition at the Asheville Art Museum, challenges the camera’s colonial gaze through the work of seven groundbreaking Indigenous…
Long before inboxes and Instagram, Asheville sold itself in glossy four-by-sixes. Greetings From Asheville: Tourism and Transformation in the Postcard Age, running through May…
During a time when all eyes are on artificial intelligence, Iron and Ink: Prints from America’s Machine Age seems especially relevant. Now on display…
Opening this spring at the Asheville Art Museum, Pedro Lasch’s Coatlicue & Las Meninas: The Stanford Edition explores the intersection of European and pre-Columbian…
Fear can limit you. Alexander artist Chrys Corn Goodman knows this firsthand. Growing up in San Francisco, Goodman always wanted to be an artist….
Since ancient times, we have used chamomile to soothe fevers, marigolds to dye fabrics, and lavender to calm the mind. Artists have also woven…
Asheville Art Museum exhibits work inspired by Hurricane Helene Forty trillion. That’s a conservative estimate of how many gallons of rain drenched the Southeast…
If you snoozed through art history in college and can’t recognize American Regionalism if Grant Wood’s dour couple smacked you in the face, here’s…
Many people believe technology will one day obliterate all life on Earth. Seattle-based glass artist Ginny Ruffner isn’t necessarily one of those people. Organized…