In the Red is the new In the Black
byBarbara Fisher’s paintings are scenes of codified chaos, vivid abstracts that come together and emote like manifestos, belying their seemingly random imagery. Her signature…
Who’s Afraid of RED?
It’s Not How the Crow Flies — it’s How it Lands that’s Important
byThe early work of Margaret Curtis appeared in the 1994 Bad Girls exhibit at New York’s New Museum of Contemporary Art. Since then, she’s…